We have consulted widely with a diverse range of stakeholders from across the performing arts to ensure the potential impacts of Brexit are understood and to ensure that future opportunities can be realised. We are pursuing a wide-ranging agreement with the EU on culture that will ensure all parties can continue to benefit from international collaboration.
As my hon. Friend the Minister will know, the UK has the most vibrant performing arts sector in the whole of Europe. An important part of that is the ability of UK companies to work collaboratively with European companies and for UK artists to visit and tour venues in the EU and vice versa. However, to achieve that, will he tell us what specific steps are being taken to ensure that there is frictionless travel for performing artists and musicians, as well as their equipment, including musical instruments?
DCMS is engaging extensively with the performing arts sector. My hon. Friend is right about the importance of the sector to our culture, but also to our economy. For example, more people go to the theatre than go to football matches in this country. I did have a meeting with UK theatres and the Home Office; we set up that meeting to give them the opportunity to express their concerns. We are working very closely with the Home Office and others on that. I very much recognise the importance of touring for the cultural sector, and we will work on that.
I have a personal interest in that my daughter is a poet and playwright, and my son is an actor and scriptwriter. They thought they were being brought up as citizens of Europe, and they are deeply worried about the future in relation to artists coming here and their ability to tour across in Europe. This is a sad, sad day for Europe.
The reality is that our UK theatre and performing arts community is an excellent example of how we work collaboratively throughout the country and around the world, and that is going to continue even after Brexit.
The multi-talented character of the Sheerman family is, frankly, not a surprise to the House.
The chief executive of the Edinburgh fringe has expressed serious concern about the cost and complexity of artists coming to Edinburgh, and fears they will go elsewhere. Does the Minister really believe that losing access to Creative Europe funding, ending freedom of movement and pulling up the drawbridge will culturally enrich the people of these islands?
We are not pulling up any drawbridges. The political declaration agreed between the UK and the EU specifically acknowledges the importance of mobility for cultural co-operation. Indeed, the Government have announced plans to negotiate reciprocal mobility arrangements with the EU, which will support businesses to provide services and to move their talented people.
May I recommend to the Minister the RSC production of “As You Like It” that my brother is appearing in at Stratford-on-Avon?
As part of the preparations for leaving the EU, the EU has indicated that there will be an opportunity for reciprocal agreement for up to 90 days in the event of a no-deal Brexit. Given the importance of the EU for our performing artists, and for our world-leading musicians as well, can the Minister give us the strongest possible indication that the Government will honour that reciprocal deal with the EU—whoever ends up in charge?
I am sure that the hon. Gentleman’s brother is a magnificent performer, but I hope he will forgive me if I add that my daughter, Jemima, will be performing in “As You Like It” at her primary school in a matter of days, and it is a key priority for me to observe her at work.
There are clearly several performers in the family, Mr Speaker.
In answer to the question, we are working very hard, and I am extremely confident that the UK theatre and performing arts community will continue to perform as excellently as it has been doing. Our performers and theatre are world-renowned, and that will continue after Brexit.
I asked for that.